By Charles M. Sumid Copyright 2025 Written 2003
Six a.m.
The bench still holds
the cold of stars.
She arrives an hour
before her office opens,
coffee steaming,
her mother’s shawl
against the morning chill.
This hidden circle—
roses dormant now in March—
gives what the city won’t.
Silence.
Here, while delivery trucks rumble
one street over,
she sorts the silk from noise.
What matters
from what merely shouts.
Her fingers trace the bench’s grain,
find the smooth patch
where lunch hours
have polished away splinters.
She leaves quietly
as joggers multiply,
but not before placing
three white stones
on the armrest.
A habit borrowed
from somewhere
she can’t recall.
The bench holds her warmth
like a conversation paused.
Five-thirty p.m.
The bench still holds
the day’s accumulated heat.
He arrives in his loosened tie,
briefcase tucked beneath,
seeking the peace that grows
between workday and home.
The stones catch his eye.
Three white pebbles
on iron armrest,
precise as punctuation.
A message?
A meditation?
He pockets them gently,
leaves instead
a yellow rose.
The climber by the gate
always blooms early,
defying March.
His palm finds the worn patch,
considers whose lunch hours
made this.
The bench releases
its stored warmth
into his back.
Someone was here, he thinks.
Someone who knows
the need for stolen quiet.
Eleven and a half hours
separate their escapes.
The bench holds both.
Her pre-dawn clarity,
his after-work exhale.
Without mixing—
like morning frost
and evening dew
on the same petals.
The rose garden keeps their secret.
How two people can share a sanctuary
without sharing a world.
The stones.
The yellow rose.
The warmth that transfers
from one seeking body
through wood
to another.
These are conversations
possible only in silence.
Only in the hidden places
cities forget to monetize.
The bench translates
what needs no words.
Someone else knows
about this pocket of peace.
Someone else needs
what roses remember—
that green finds a way
even where concrete
claims everything.