By Charles M. Sumid Copyright 2025 Written 1997 Revised 2024
Window seat, left side, third car.
One of the older ones
still with fabric seats.
She claims it at Howard,
grateful,
after letting two packed trains pass.
The blue-gray fabric holds the day’s heat,
journeys compressed into worn synthetic weave.
Her hip finds the dip
where commuters have created
a valley of shared exhaustion.
Through Rogers Park,
she watches the backsides of three-flats blur,
glimpses of kitchens,
someone washing dishes,
a cat in a window.
Her reflection floats
ghostlike in the glass.
Another woman heading north.
At Wilson, the train pauses.
Someone’s cologne from this morning still lingers,
mixing with coffee spills, resignation,
the perfume of people
pretending to be alone
together.
She knows this route like breathing.
The curve at Sheridan,
the lake’s sudden appearance at Loyola.
By Davis Street,
she’s almost home.
She rises,
leaves only warmth
that fades before Foster.
Hours later.
Same seat.
The late train holds only him,
a Northwestern student
sleeping off something,
a nurse
still in scrubs.
The purple fabric feels different
at this hour.
Cooler, more forgiving.
His fingers find the rip in the armrest,
mended but still there.
Someone cared enough to fix it.
Through the window,
Chicago spreads below.
The elevated view that never gets old,
looking into third-floor windows,
rooftop gardens,
the city’s hidden life.
He works the night shift at Swedish Covenant,
rides against the current of normal time.
No crowds now,
just Chicago showing its bones.
The lake invisible
but breathing in the darkness,
apartment windows
glowing with blue insomnia.
At Main, a couple gets on,
leans into each other like parentheses.
He looks away.
Leaves a folded Tribune on the seat,
yesterday’s news
for whoever needs something to hold
in the morning rush.
The seat exhales between them,
releases the day’s weight,
breathes in the night’s clarity.
The Purple Line rhythm.
Compression and release,
elevated to underground
and back again,
the same journey at different pressures.
Howard to Davis,
Davis to Howard,
the train carries both versions.
In the space between rush and quiet,
the seat holds other bodies.
The woman who rode this route
when it was still the Evanston Express,
the student who fell asleep
and woke at Linden,
the child
who pressed her face to the window
at the lake’s first glimpse.
All of us leaving warmth for strangers,
all of us finding the groove worn by others,
fitting ourselves into the shape
of shared necessity.
The Purple Line knows what we forget.
Everyone who sits here
travels between one Chicago and another,
the seat a brief pause
in our longer journeys home.